Saturday, July 14, 2012

Midnight with Mucha, by k Madison Moore - Inspired by Mucha

Midnight with Mucha


11 x 14 Oil Painting on Canvas

Painting with The Masters
Art within Art - Master Interiors


There is just something very romantic about Mucha's work.
That's how I feel every time I paint with him.
I love the colors in this one. They were played off of one of
Mucha's skyscape's such as I have used here for the window scene.
Mucha's painting set the mood for this composition including the colors.

However, as much as I love those colors they are very difficult
to photograph. The Lilac and the Midnight Blue are custom
colors that I had made as I could not find them anywhere. The back
wall is Midnight Blue but may show like black on some monitors.
It makes a great back drop for the lovely yellow flowers
and a bit of reflection from the wall sconce.
Another fun and very detailed painting.

Mucha produced a flurry of paintings, posters, advertisements, and book illustrations, as well as designs for jewelry, carpets, wallpaper, and theatre sets in what was termed initially the Mucha Style but became known as Art Nouveau (French for 'new art'). Mucha's works frequently featured beautiful young women in flowing, vaguely Neoclassical-looking robes, often surrounded by lush flowers which sometimes formed halos behind their heads. In contrast with contemporary poster makers he used pale pastel colors. The 1900 Universal Exhibition in Paris spread the "Mucha style" internationally, of which Mucha said "I think [the Exposition Universelle] made some contribution toward bringing aesthetic values into arts and crafts." He decorated the Bosnia and Herzegovina Pavilion and collaborated with decorating the Austrian Pavilion. His Art Nouveau style was often imitated. The Art Nouveau style however, was one that Mucha attempted to disassociate himself from throughout his life; he always insisted that rather than maintaining any fashionable stylistic form, his paintings were entirely a product of himself and Czech art.  He declared that art existed only to communicate a spiritual message, and nothing more; hence his frustration at the fame he gained by his commercial art, when he most wanted to concentrate on more artistic projects.
At the time of his death, Mucha's style was considered outdated. His son, author Jiří Mucha, devoted much of his life to writing about him and bringing attention to his art. In his own country, the new authorities were not interested in Mucha. His Slav Epic was rolled and stored for twenty-five years before being shown in Moravsky Krumlov and only recently has a Mucha museum opened in Prague, managed by his grandson, John Mucha.[4]
Mucha's work has continued to experience periodic revivals of interest for illustrators and artists. Interest in Mucha's distinctive style experienced a strong revival during the 1960s (with a general interest in Art Nouveau)] and is particularly evident in the psychedelic posters of Hapshash and the Coloured Coat, the collective name for British artists Michael English and Nigel Waymouth, and Bob Masseю


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